3,675 Royalty-Free Audio Tracks for "C Major Scales"

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Delta scale major triad on C
Author: Created by Hyacinth (talk) 07:15, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend.
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Gamma scale major triad on C.
Author: Created by Hyacinth (talk) 07:15, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend.
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F majorΕλληνικά: Η συγχορδία ΦΑ μείζονα
Author: Skalk
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Example of the Locrian diatonic scale. Note the dark, inharmonious sound. The Locrian scale is difficult to work with due to so few harmonic intervals.
Author: OnekiKai
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Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.
Author: Hyacinth
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Dominant seventh flat five chord on C - As MIDI
Author: Hyacinth at en.wikipedia
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Suspended 2nd Chord on C.
Author: Hyacinth (talk) (Uploads)
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Suspended 4th Chord on C.
Author: Hyacinth (talk) (Uploads)
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Suspended fourth chord on C in first inversion.
Author: Hyacinth (talk) (Uploads)
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Seventh flat thirteenth chord on C. Created by Hyacinth (talk) 17:05, 10 July 2008 using Sibelius.
Author: The original uploader was Hyacinth at English Wikipedia.
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Maj ninth chord on C.
Author: Created by Hyacinth (talk) 05:37, 14 July 2008 using Sibelius.
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Mu chord on C. Created by Hyacinth (talk) 22:54, 3 June 2009 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Lambda mode diatonic scale in Bohlen-Pierce tuning (Equal Tempered)
Author: Sciurid
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Aeolian mode on A. No pitch bend.
Author: Created by Hyacinth (talk) 10:01, 19 April 2011 (UTC) using Sibelius 5.
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Chromatic scales down, played on a digital piano (Yamahe CLP-470) Chromatische Tonleitern abwärts, gespielt auf einem Digitalpiano (Yamaha CLP-470)
Author: Membeth
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Fifteenth chord from Perry on C
Author: Hyacinth
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Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.
Author: Hyacinth
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Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q
Author: Hyacinth
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Aeolian scale of C
Author: Maurizio Codogno, it:Utente:.mau.
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An OGG file that plays a C chromatic scale
Author: Cyndaquazy
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Sound file of melodic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
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Sound file of the harmonic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
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Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848
Author: Composed by Johann Sebastian Bach, performed by Kimiko Ishizaka
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Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848
Author: Composed by Johann Sebastian Bach, performed by Kimiko Ishizaka
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Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.
Author: User:Hyacinth
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Scarlatti Sonata K319, bars 62-80, octatonic descending bassline
Author: Domenico Scarlatti
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Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].
Author: Hyacinth
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Eleventh chord diatonic on C.
Author: The original uploader was Hyacinth at English Wikipedia.
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Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Minor major sixth chord on C.
Author: Created by Hyacinth (talk) 06:31, 10 March 2010 using Sibelius 5.
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Minor chord on C
Author: Created by Hyacinth (talk) using Sibelius 5.
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Created by Hyacinth (talk) using Sibelius.
Author: Hyacinth at English Wikipedia
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Lydian chord on C.
Author: User:Hyacinth
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Mu major chord on C. Created by Hyacinth (talk) 21:52, 9 November 2009 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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12-1 (chromatic) dodecachord on C
Author: Hyacinth
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Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.
Author: Hyacinth
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A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Fifteenth chord from Schoenberg on C
Author: Hyacinth
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5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.
Author: Hyacinth
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Seven six chord on C (C7/6). Created by Hyacinth (talk) 15:53, 26 June 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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